Vintage Inspired with a Minimalist Twist: My Review of J. Hannah’s Millennially Coveted Jewelry

This post may contain affiliate links. Please see my disclosure to learn more. 

I’ve recently written about how much I fancy the jewelry brand, J. Hannah – the jewelry line, fashioned by a twenty-something Los Angelican, that prides itself in sustainability by using upcycled gold and refurbished stones. J. Hannah’s timeless designs mimic vintage styles from my grandmother’s era while winning the covetousness of Californian millennials, myself included. The brand encapsulates my ideals of worthy jewelry, which is an outward extension of one’s personality that defines style rather than maintain fashion. Jewelry, in my humble opinion, should not be viewed as an accessory, but instead act as a complement to what already exists. I found myself drawn to the brand after recognizing the kindred spirit within its founder and maker, since then acquiring pieces from the collection that are a form of self-extension as well as self-expression. To find out if the price is worth the value that J. Hannah brings, you only need to read below.

Related Posts:

Adorning a modern woman today does not mean what it did during my mother’s time. My mother views jewelry as an embellishment, as well as a suggestion of one’s status and wealth. To a modern woman, the intellect is a better marker for both of those things. This is not to say that jewelry is demoted to something less-than, but it indicates why it is less necessary to be flashy or exuberant. On the contrary, outlandish accessories have negative connotations such as insecurity or a need for attention. In today’s world, boisterous external expression can be misconstrued as a lacking of internal substance. We have the changing times to thank for that.

Jewelry, like any accessory, is best when muted, so as not to detract from the real heroine, which is the wearer themself. Jewelry should not represent beauty, but accentuate it. Likewise, bits and baubles are not meant to mask imperfection and should certainly not usurp the winning qualities of a modern gal. If anything, ostentatious jewelry could compete with more valued traits such as confidence or a winning presence.

J. Hannah understands and incorporates all of these ideals. If jewelry is a true extension of the self, then it should follow that it remain versatile, timeless, and expressive. A modern woman is an evolutionary being, not than a static representation. Jewelry, then too, should have the same capabilities – evolving in significance while fitting into whatever purpose the wearer chooses to pursue. J. Hannah is jewelry for living with, as well as living in – a style for the vintage inclined as well as the most contemporary of persons. Made for the truest of self-expressive intentions, it is jewelry that was never meant to be taken off.

For every wearer, there is a style that has one’s name emblazoned on it. I, myself, gravitated towards the Form Hoop I earrings, for their strong structure and rounded softness. Miniature at best, each classic hoop barely makes their way around the lobe of my ears. They hug so snugly that they are quite literally an extension of myself, always 100% in contact with my skin, so that I forget I am donning them and occasionally fall asleep with them on. Simple, tiny, and understated, but with a solid depth to them and a characteristic certainty, these earrings are exemplary of who I wish to be as a person.

I was also gifted the Objet Pendant necklace by Mr. Debtist, which I think is an appropriate gift from the person who knows me best. The pendant is a seemingly minimalist and simple piece that holds a secret – its complex design as a disguised box. (A similar secret exists in the Niche Ring). The diversity of the necklace comes from its ability to hold both sentimental mementos as well as practical, ordinary objects. This list includes a spare hair-tie, an Advil, a resolution, a precious stone, or a tiny tooth. The flush lid with a snap closure makes the true purpose of the container unbeknownst to everyone except the wearer, its contents made even more private by its illusory, elusive appearance. It is especially representative of my lifestyle, archetypal of both the multi-functional and the abstract, a necklace made for a Gemini.

I wear both of these pieces daily and to every occasion. Marked with the JH emblem as well as a 925 engraving that signals true silver, these pieces are durable enough to withstand boxing classes, professional enough to wear to the dental office, and delicate enough to accompany me to special occasions. Gone are the days of acquiring pieces based solely on beauty, or even value. Jewelry has now transformed into physical translations of your personal statement. On my radar are J. Hannah’s Pivot Ring I, a fidget spinner to calm the anxieties of everyday life, and the Demi Signet. The latter has a Japanese Akoya cultured pearl in lieu of the engravings traditionally centered on such rings. “Historically, pearls have signified the wisdom of experience; they are totems of protection and luck; they are symbols of balance, strength, and calm energy.” Pearls also happen to be my birthstone. The demi signet reminds me of something my grandmother would have worn, but with a smaller profile made for the pinkies of today. I imagine a woman well-versed in proper etiquette, but at the same time, able to voice the most difficult of positions.

If you wish to peruse the collection yourself, feel free to do so using this affiliate link. You may stumble upon a piece that calls your name.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.